
Jane's Addiction were one of the most hotly pursued rock bands when they gained notice in Los Angeles in the mid-'80s, with record companies at their feet. Flamboyant frontman
Perry Farrell, formerly of the band
Psi Com, had an undeniable charisma and an interest in provocative art (he designed the band's album covers), and Jane's Addiction played a hybrid of rock music: metal with strains of punk, folk, and jazz. The quartet, comprising
Farrell, bassist
Eric Avery, drummer
Stephen Perkins, and guitarist
Dave Navarro, had already released its debut album as well, in the form of a live recording from the Roxy in Hollywood. Finally, Warner Bros. won the bidding war and released
Nothing's Shocking in 1988. The band's abrasive sound and aggressive attitude (typified by the nude sculpture on the cover) led to some resistance, but Jane's Addiction began to break through to an audience -- the album spent 35 weeks on the charts.



Ritual de lo Habitual followed in 1990 and was the band's commercial breakthrough, reaching the Top 20 and going gold.
Farrell designed the traveling rock festival Lollapalooza as a farewell tour for Jane's Addiction. After the tour was completed at the end of the summer of 1991, the group split.
Farrell would continue to be involved with the organization of the annual Lollapalooza festival for the next several years; he also formed Porno for Pyros with
Perkins in 1992, releasing their debut record the following year. After a couple of quiet years -- which included forming
Deconstruction, a band that didn't release any records until 1994, with
Avery --
Navarro joined
Red Hot Chili Peppers at the end of 1993.



By 1997,
Perkins and
Farrell had dissolved Porno for Pyros, while
Navarro was about to resign from
Red Hot Chili Peppers. After
Navarro began playing with his two former bandmates again during Porno for Pyros' final tour, a Jane's Addiction reunion tour was announced for the fall of the same year. The only catch was that
Chili Peppers bassist
Flea replaced
Avery (
Avery refused to participate, as he concentrated on his new band,
Polar Bear). To coincide with the short tour, the newly reunited Jane's Addiction issued the album
Kettle Whistle, which compiled classic live performances and demos alongside a few newly recorded tracks. The album didn't fare well on the charts, but the reunion tour was a rousing success. It didn't lead to a permanent re-formation, however, as members went their separate ways once more after its completion. A planned film documentary of the reunion tour failed to materialize, as a best-of compilation that chronicled
Farrell's work (with Jane's,
Porno, and a few new solo tracks) was issued in 1999, titled
Rev. His first solo full-length, Song Yet to Be Sung, saw the light of day in 2001.
Navarro's debut solo effort,
Trust No One, was issued a month earlier than
Farrell's, as another Jane's Addiction reunion was announced the same year.
Avery again refused to participate, with his spot being filled by former Porno for Pyros bassist
Martyn Lenoble.

Several years later, Jane's Addiction readied themselves to do it again. In mid-2002,
Farrell,
Navarro, and
Perkins headed back into the studio for their first album of new material in over a decade. Bass player
Chris Chaney (
Tommy Lee,
Alanis Morissette) was added to the group and
Bob Ezrin (
Pink Floyd,
Kiss,
Aerosmith) signed on to produce the new record. Capitol prepped for the release of
Strays in July 2003 while
Farrell resurrected Lollapalooza after a six-year break.
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