Einsturzende Neubauten [Special]
Einsturzende Neubauten [Special]
Since 1980, German rock band Einsturzende Neubauten-in English, "collapsing new buildings"--has been reinventing music by destroying all preconceived ideas of what music is and by redefining the beauty of sound. Their music has the undeniable ability to vibrate every particle of the listener's being, the goal being to make the listener feel absolutely alive. Besides guitars, their musical arsenal includes power drills, shopping carts, oil drums, broken glass, and sheet metal. The sounds Einsturzende Neubauten pioneered became known to a wide audience when the popular British dance band Depeche Mode used them in their 1984 hit "People Are People."
In the 1980s Einsturzende Neubauten's frontman, Blixa Bargeld--a former gravedigger, bartender, and theater manager who appropriated his first name from a brand of German ballpoint pen--predicted that "the entire pop culture would change while we (Einsturzende Neubauten) would remain the same, and the day would come when our 'noise' would sound like their new 'music.'" His prediction was not too far off, evidenced by the popularity in the 1990s of what has come to be known as "industrial" music. By the mid-1990s, in fact, Einsturzende Neubauten's music seemed much tamer, due in part to the "noisification" of mainstream music, and also to the natural growth and change that is part of the band's creative process. As Bargeld told Kenneth Laddish of Mondo 2000: "When we are at our best, our sounds form sentences as surely as words, which reinforces on another level what we are trying to express. The idea of using sound, stepping away from notes--add to this the quality of what the instrument actually is: this is burning oil. Put in a certain context, you compose a sentence dealing with burning oil."
Einsturzende Neubauten stared out as a four-piece ensemble comprised of Bargeld, N. U. Unruh, Beate Batel, and Grudrun Gut. For those who missed the quartet's historic first show, Bargeld sold tapes of it in his second-hand store, Eisengrau (Iron Grey). The week after Einsturzende Neubauten formed, the Berlin Kongresshalle collapsed. The band viewed this as a perfect propaganda opportunity and took it as a good omen. Another German band, Abwarts, of which Bargeld and Unruh were fans, featured F. M. "Mufti" Einheit and Mark Chung, who both eventually became members of Einsturzende Neubauten. As a trio, Bargeld, Unruh, and Einheit released their first LP, 1981's Kollaps. This was actually a follow-up to the previous lineup's successful single "Fur den Untergang" and the "Kalte Sterne" double-pack 7-inch single. Shortly thereafter, Chung formally joined the group. In 1983 16-year-old Alexander Von Borsig, known as Alexander Hacke, who was involved with many strange musical projects and had performed with Einsturzende Neubauten sporadically, began to play with them on a more regular basis.
Soon after the release of Kollaps, Einsturzende Neubauten became favorites of the British press and in 1983 released their first album in the United Kingdom, Drawings of Patient O. T. Although some felt it lacked the primitive intensity of their first release, most felt Patient O. T. had more texture and direction. The sound seemed more stripped down but better structured. The band had torn themselves down and moved on to yet another stage of their evolution. The following year Einsturzende Neubauten released Strategies Against Architecture on the Mute label and 2X4 on ROIR. Strategies is a compilation of five tracks from Kollaps, two from Kalte Sterne, the B-side of the "Fur den Untergang" single, and previously unreleased works, some of them live. The cassette-only 2X4, contains live performances recorded in Europe from 1980-1983.
In 1984 Einsturzende Neubauten began appearing at special-event "site-specific" performances. One of the more notorious of these took place in California's Mojave desert on March 4, 1984. Fans who attended the show were brought to the site on a chartered bus caravan. While refrigerators and other appliances loaded with explosives were detonated for their enjoyment, courtesy of Mark Pauline and Survival Research Laboratories, Einsturzende Neubauten filled the desert air with their music in an unforgettable symphony of apocalyptic sights and sounds.
The band's indoor shows had also become quite notorious. Fire had become a regular part of their program. But at one Los Angeles performance, an onstage fire got out of control and completely burned the props for the second half of the show. The same night, vibrations from the power drill used onstage caused plaster to fall off the ceiling and onto some record company executives who were eating dinner a floor below. Soon promoters were forced to turn down opportunities to mount Einsturzende Neubauten shows; insurance companies had begun to refuse to cover the venues at which Einsturzende eubauten was booked. The band rectified this untenable situation by toning down the more "explosive" and uncontrollable elements of their live show. By the mid-1990s, their shows were more restrained; they needed only brandish the drill or empty water out of a gasoline can to raise the tension level and get a strong audience reaction. Displaying their creative compositional techniques by employing grand piano, bizarre dance beats, and their trademark thunder, the band released Halber Mensch in 1985.
The a cappella title track sounded like part of an avant-garde opera. Then, Einsturzende Neubauten disbanded for a year. In 1987 they reformed and released Funf auf der Nach Oben Richterskala, perhaps their quietest release, one that left many of their fans confused, waiting for the thunder that never emerged from this album. The thunder returned, however, with 1989's Haus der Luge and reappeared again on Strategien gegen Architektur II in 1991. And after yet another prolonged hiatus, 1993 saw the release of the highly acclaimed Tabula Rasa triptych, which contains the pieces "Blume" and "Wuste," originally composed for the avant-garde Canadian dance troupe La La La Human Steps.
The music of Einsturzende Neubauten has been called everything from "junk rock" to "industrial." The musicians themselves have been labeled "aural terrorists" and "musical mutants," as well as "the Kings of Industrial Rock." Bargeld has termed their efforts "hardcore New Age," while Einheit once classified them as "contemporary German folk music." Bargeld explained the philosophy behind the music to Klaus Maeck in his book Hor Mit Schmerzen! (Listen With Pain!), asserting, "Einsturzende Neubauten ... is a positive sound, possibly the most positive sound of all. Old objects, meanings, buildings and music get destroyed, all traces of the past are abandoned: only out of destruction can something really new be created."
Weblinks:
2008 - The JewelsEinstuerzende Neubauten Official Site Einsturzende Neubauten Blixa Bargeld Biography Einsturzende Neubauten Pins Perpetuum Mobile review on Hybrid Magazine lazyeye review: Einsturzende Neubauten -- Ende Neu
Video suggestions:Live (0000)
Haus de Lüge
w. Mark Chung on bass, atmospheric, intense, wonderful version!Live @Moers Jazz Festival 1990:
Seele Brennt Excerpt
Ein Stuhl in der HölleLive @Rockpalast 1990:
Feurio
Armenia
Kein Bestandteil Sein
Der Tod Ist Ein Dandy
Ich Bins
Yu GungLive @ Columbiahalle 2000 - 20th Anniversary Concert
Sabrina
Silence is Sexy
Zebulon
Reduckt
Beauty/Befindlichkeit des LandesLive @Palast der Republik 2004 [considered essential viewing!]
Youme & Meyou
Grundstueck: GS 1, 2
Was Ist Ist
Haus der LügeVideo Promos:
Seele Brennt (directed by Peter Sempel)
Blume (English version: vocals by Anita Lane) (1993)
Die Interimsliebenden (1993)
The Garden (1996)
Stella Maris (1996)
Nagorny Karabach (2007)Films:
Halber Mensch (1985, directed by Sogo Ishii - excerpted)Interviews:
[Discography]
Blixa Bargeld (Noisescape TV 2007)
Blixa Bargeld & Mark Chung (Japan 1985)
1980 - Moon 1. April 1980
1980 - Stahlmusik (Live)
1981 - Kalte Sterne & Schwarz (EP)
1981 - Kollaps
1982 - Stahldubversions
1982 - Live 81-82 (Live)
1983 - Zeichnungen des Patienten O. T.
1984 - 2X4 (Live)
1984 - Strategies Against Architecture 80-83
1985 - Halber Mensch
1987 - Fünf Auf der Nach Oben Offenen Richterskala
1989 - Haus der Lüge
1991 - Die Hamletmaschine
1991 - Strategies Against Architecture II
1993 - Tabula Rasa
1993 - Nag Nag Nag Ep
1993 - Verbrannte Erde
1993 - Interim (EP)
1993 - Malediction (EP)
1996 - Ende Neu
1996 - Faustmusik
1997 - Ende Neu Remixes part1//part2
1999 - Total Eclipse Of The Sun (EP) doble link OO//O1
2000 - Berlin Babylon
2000 - 9-15-Brussels (2CD-Live) part1//part2
2000 - Silence Is Sexy (2CD-Ltd. German edition) part1//part2
2001 - Strategies Against Architecture I-II-III (5CD-Box)
part1//part2//part3//part4//part5
2003 - Gemini (2CD) part1//part2
2003 - Supporter Album #1
2004 - Perpetuum Mobile
2004 - Grundstück - Krems 2004-10-24 (2CD-Live)[Bootleg] part1//part2
2004 - Conzert 16.03.04 München (Live)[Bootleg] part1//part2
2004 - Perpetuum Mobile Tour (2CD-Live) part1//part2
2004 - Kalte Sterne - early recordings
2005 - Liebeslieder (dvd rip)
2005 - Grundstück (Supporters' Album #2)
2006 - Yü-Gung (Remix CD)
2007 - Blixa Bargeld (Einstürzende Neubauten) - Dichterlesung (Live)[Bootleg]
2007 - Alles Wieder Offen
Pass:
bunalti.com
or
frontman242
----------------------------
Potomak list for download:
Einstürzende Neubauten : Weil Weil Weil [Potomak 2007]
Einstürzende Neubauten : Weingeister [Potomak 2007]
Einstürzende Neubauten : Stimmen Reste [Potomak 2006]
Einstürzende Neubauten : Klaviermusik [Potomak 2006]
Einstürzende Neubauten : Kassetten [Potomak 2006]
Einstürzende Neubauten : Redux Orchestra vs. Einstürzende Neubauten [Potomak 2006]
Einstürzende Neubauten : Solo Bassfeder [Potomak 2006]
Einstürzende Neubauten : Unglaublicher Laerm [Potomak 2005]
Einstürzende Neubauten : Anarchitektur [Potomak 2005]
source:
bliteblog.wordpress.com // bunalti.com // morgansmusings.wordpress.com // newnoisenet.blogspot.com //EN on rapidshare
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